Wednesday, June 17, 2009

New (Mixtape) Albums


Woke up and found new music by new (and not-so-new) artists:




J. Cole is Jay-Z's marquee artist on the Roc Nation label. Make SURE you give him a listen. He's got a lot riding on his back.

Fiddy's trying to get back to his hardcore roots, and this "War Angel" LP is his first step in that direction for 2009. Check this out as well.

I'll be here later this week with more music to Chatter about. Peace!

-Young

Thursday, May 21, 2009

Chatterbox Music: Busta Rhymes - Back on My B.S.



Busta Rhymes
Back On My B.S.
Universal Motown/Flipmode Entertainment
Released May 19, 2009


Busta Rhymes has never been one to disappoint. No matter when he dropped, you knew he was coming with an album full of lyrical fury, excellent production and groundbreaking videos to boot. He never followed trends, because he didn’t need to. Even if you felt like he did, he didn’t give a damn; he was gonna do him anyway.

So, for an artist that’s prided himself on being a trendsetter his entire career, listening to his latest album, Back on My B.S., is quite perplexing. Why would a person who the culture looks to bring something new, rely on so much of today’s radio-friendly and safe material to stay relevant?

The album starts on the right foot with the DJ Scratch-produced “Wheel of Fortune,” with Scratch giving us that sample ridden bounce-and-bass that made him and Buss a winning duo to begin with. There are a couple of highlights in the top half of the collection, namely “Shoot for the Moon” and “Respect My Conglomerate.” Things go downhill from there. The controversial single “Arab Money” and “Give em What They Askin’ For” are disasters courtesy of Ron Browz. “Hustler’s Anthem” features the original Auto-Tune king, T-Pain, and makes for a decent effort. The Neptunes turn in a standard track for “Kill Dem,” with Busta adopting a Rasta-like flow that showcases his ability to flow to ANY track. “Decisions” features Common, John Legend, Jamie Foxx and Mary J. Blige, and gives Busta and Com Sense the platform to spit some real talk. “World Go Round” has a rightful place at the end of the album, making it easy to skip.

After hearing Bus-A-Buss’s latest, you’ll be left scratching your head at his production choices. That being said, let it be known that he hasn’t lost a step as far as execution and lyrics. If you have all of his albums, it won’t hurt to continue the collection with this release. If you’re just getting familiar with his work, this is NOT the album to start with. Try picking up his first three albums first.

Standouts: “Wheel of Fortune,” “Shoot for The Moon,” “Respect My Conglomerate”

3 Stars out of 5

Wednesday, May 6, 2009

Chatterboxing: What's Beef 2009




If you clicked to read this thinking that I had done a remix to the Notorious one's classic 1997 song, I'm sorry, but that's not what you're gonna find. In honor of the Notorious one, however, I felt the need to reassess what his idea of beef was, and just examine the concept of it in our culture today, and its evolution over the years.

Now, don't get me wrong, there's NOTHING wrong with a little rivalry in the things that entertain us. Be it sports, music, or whatever, it's always an added perk when you can see two of your favorite stars "go at it" for the love of what they do. It's existed long before any of us were born, and it will be here long after we're gone.

But I mean, damn. It's one thing to put out diss records and have your fans on edge about how many punchlines you can hurl at your rival, but there are some things about current day beef that's just...well, different:

1. Musicians dissing without acrual music: For example, this whole 50 Cent/Rick Ross thing. They may have made a total of two songs combined throughout this entire "beef." What did we get after that? Cartoons...Skits...Baby Mamas getting minks! WTF? On the bright side, Rick Ross's "Deeper than Rap" is one of the best hip-hop releases to come out since last year (until next week! lol), so...Curtis better come back with a classic or he can consider this battle lost.

2. Artists using fake beef to promote their work or create publicity. I just have one thing to say: People WILL find out. Forget about it.

3. Artists using rap beef as an excuse to be real: Um...yeah...rappers be needing street credibility. So what better way to show your current and prospective fans how real you are, than to take a verbal shot at somebody, right? Well, maybe. See, let's say you kick up some verbal dust at somebody that don't play that. You may be barking up a tree with a weak trunk. You see that guy at a Summer Jam concert or something, and he AND his crew is trying to administer back-to-back beatings on your ass. Your ploy to add some "realness" to your resume as an artist has turned into a good-ol fashioned beatdown and a universal loss of respect...or even worst, it might get you killed. That's not real...that's an fail. Epic. Fail.


I enjoy rivalries just like the rest of us. But, I think they're most enjoyed when they stay within the parameters in which they started. Boxing rivalries should stay in the ring. Sports rivalries should stay on the court, and rap beef should stay within the music. The energy that you pour into the music will inevitably enhance the quality of the music, and once it's over...both parties can move on to the next project.

Tuesday, April 7, 2009

We're the Ones Who Made You...

After Four and a half years of letting pop culture exist happily, The one and only Marshall Mathers is back doing what he does best....check him out: The Dr. Dre-produced "We Made You" is the first single from "Relapse," coming next month. Look out for the review in the Chatterbox when it comes out!

Monday, March 23, 2009

Chatterbox Music: Keri Hilson - In A Perfect World




Keri Hilson
In A Perfect World (Released March 24, 2009)
Mosley Music/Zone 4/Interscope


Being a hitmaking singer-slash-songwriter can have advantages and disadvantages. The advantage is that you know how to write a good song. The disadvantage is that, you may not write the right song for you...


Singer/Songwriter Keri Hilson (finally) releases her long-awaited debut album, "In a Perfect World" later on this month. Being the songwriter she is, she gives herself some straight heat. After a couple of false start single choices, she finally jumped off the album with the single Turnin' Me On featuring the now ubiquitous Lil' Wayne, who checks in a great guest appearance. The guest appearances are nothing short of high profile (Timbaland, Polow Da Don (her two main producers), Kanye West, Keyshia Cole, Trina, Ne-Yo, Akon - all stop by to lend her a hand), amazingly though, she shines her brightest when she's all alone. The real heaters here are Slow Dance, Make Love, Intuition, and Tell Him the Truth.

Simply put, this is a solid release, definitely worth checking picking up. She has plenty of room to grow as an artist, and if this is the beginning...watching her growth will be a pleasure.

It may not be a perfect world, Keri, but the world is yours!

Wednesday, February 18, 2009

Drake: "So Far Gone" Mixtape

Sorry it's been a little while, but I've been a little busy with life kicking my ass and whatnot. Anyway, I'll be making up for lost time over the next couple of days...

Just to start it back up, I want to hit you all off with something I'm feeling right now. New Drake. Homeboy's nice. Check him out...




http://octobersveryown.blogspot.com

Support Talent!!!

-Young

Monday, February 9, 2009

Domestic Violence and The Hip- Hop Generation




Okay, so I have a small confession: When I was young, I sometimes listened to music that was totally inappropriate for children my age. Most youngsters my age was somewhere getting it in to the latest Disney Channel favorite of the moment. Me, on the other hand, had the latest CD's by Dr. Dre, Luke (yes, that Luke), Ice Cube, and one of my personal favorites, Snoop Doggy Dogg. All of these CD's had something in common: They were extremely, and unnecessarily misogynistic, among other things.

You couldn't tell me anything about those guys. I swore by everything they, and anybody remotely connected with them, put out. Some of the lyrics read,

"If ya bitches talk shit/I'll have to put the smackdown, yeah..."

"Bitches Ain't Shit but hoes and tricks"

"She started talkin' shit, what'd ya know?/Reached back like a pimp, slapped the ho."

"Now fuck around and get a five-finger handprint/straight across your face/to make sure all you bitches understand this/"

Now, I, for one, would never hit a woman, nor do I think any man should ever hit a woman. It's just wrong on so many levels, and it's just something that should never take place. Period. End of discussion.

Now, given the recent events surrounding Chris Brown and Rihanna, much can be said about domestic violence, as this has surely been an issue among American families for quite some time. What's surprising to me is that the same culture that used to embrace the behavior, to a degree, has started to change its view. People from every side of the music industry, including Jay-Z, 50 Cent, and countless others, have spoken up to denounce this behavior. But even they, in recent years, has played it up as though it was normal behavior (Jay's last verse on "Guilty Until Proven Innocent," and G-Unit's "Poppin' Them Thangs" are both perfect examples of how they "felt at the time."). The question is, is hip-hop partially to blame?

Of course the natural answer would be "no" from most people, but let's think about this for a sec. For most folks, music is an escape, from everyday life, into someone else's life, that you respect, or admire, at least for their body of work. When I was a kid, I looked up to those cats that you see above. I would know their songs verbatim. Yet, there was something that resonated louder than those "slap a ho" lyrics.

It was the image of my mother's face.

See, when someone you love is or has been, the victim of domestic violence, the shit isn't funny anymore. It's not funny watching you pops lay hands on mom dukes, only to see him hauled off to jail for the night, and your moms putting ice on her face so she can try to expedite the healing, so she can go back to work as soon as possible. When I saw that, those lyrics didn't seem so cool. Those guys didn't seem so cool anymore.

Now, I'm not blaming the music for what happened between Chris and Rihanna, or anybody for that matter. What I am saying is that I hope this is a wake-up call for the people who directly influence our youth, to the hip-hoppers everywhere. These children look to us as examples. They emulate everything we do. They dress like us, they mouth our lyrics, they walk like we walk and talk like we talk. Let's give them something better to look up to than we had.

Music to Chatter About: Ryan Leslie - Ryan Leslie The OFFICIAL REVIEW




Ryan Leslie (Self-Titled)
Release Date: Feb 10, 2009
Label: Casablanca Music, LLC/Universal Motown

You get the sense that there is a genius of sorts about Singer/Songwriter/Producer Ryan Leslie. His story is as follows: At the age of 15, he scores a 1600 on his SATs, which landed him at Harvard while everyone else his age were still trying to score prom dates. After graduating, he pursues music full-time, selling beats as a local producer in Boston. After a chance meeting with producer Young Lord, he lands an internship with him as a producer, leading to his first major label credit, "Keep Giving Your Love to Me," a song for Beyonce from the Bad Boys II soundtrack. This lead to subsequent work with Britney Spears, New Edition, Loon, Cheri Dennis, Donell Jones, and his own flagship artist Cassie. He's kept fans abreast of his developments with his self-titled debut via his YouTube page and his website. To say that the release of this album has been a long time coming is an understatement.

The album is a showcase of his songwriting and production skills, which aren't at all lacking; most of the instruments you hear here are played by Leslie himself. The album kicks off strong with "Diamond Girl," which was accompanied by a short film of the same name months ago. "Addiction (feat. Cassie and Fabolous)," another single released last year, immediately follows. Both are strong numbers to kick off the album with and get the listener engaged.

However, Leslie starts to shine after the stuff you've heard before has played. "You're Fly" is easy on the ears, coupling sleek live instrumentation and synthesizers, which proves to be a constant throughout the LP. He kicks things into high gear with "Quicksand," which as a pseudo-rock jam. Later in the album, he showcases superior production and musicianship and is at his best when he lets the songs ride out jam-session style, as evidenced on "Irina," and "Wanna Be Good."


As great as the collection of songs are, there are missteps. The soft-charm of "Valentine" comes off as a little cheesy within such a potent collection, but that's not to say it's a bad song, necessarily. It just doesn't belong on this album. At first listen, "Gibberish" comes off as just that. Smart move putting that one at the end. His vocals aren't the strongest, but at least he holds his own and doesn't rely on computer-assisted pitch correction (see my Auto-Tune post to understand my gripe). Additionally, the rapping he insisted on keeping on "You're Fly" and "Diamond Girl" should be left out of the follow up. The strength of the songwriting compensates for most of the shortcomings. Let's hope that he delves a little deeper next go round. Keeping it simple this time around was smart, but now he's ready to go all in. Either way, this is a great debut offering that I am sure will stand out among the droves of R&B releases to come out this year.

Chatterbox Rating: 4 out of 5.




Wednesday, February 4, 2009

I Hate My Job!!!

No...I don't really hate my job. Honestly, I kind of enjoy it. But, for those of you that do, Cam'Ron feels your pain and is speaking on your behalf. Harlem's Golden Child is back after 2006's "Killa Season" didn't yield too many bodies...

It's not even wack...it goes kinda hard...kinda.

Anyway...check it out...and please, DO NOT quit your day jobs. They are too hard to come by in 2009!

Enjoy!

SORRY - LINK IS BROKEN TO EMBED...

http://www.youtube.com/watch?v=09s5B-EFafA

Monday, February 2, 2009

The Latest Cabbage Patch Doll!!!! This one's (BLEEPING) GOLDEN!



Look what our dear G-Rod is doing for bail money...guess he's got braggin' rights, Ghandi and MLK never got their own Cabbage Patch! Impeach that!

Now WE can buy his ass!!!

**BLEEPIN' GOLDEN!!!!**

Saturday, January 31, 2009

"AutoTune...Breaking H.E.R. Heart"

Last year, Ice-T, you know, the "Rapper-Turned-Actor-Turned-Pimp of all things Silicone," outed Soulja Boy as the culprit of the murder of hip-hop music.

"Soulja Boy, eat a d@#$," cried the man who once caught hell for singing a song called "Cop Killer."

Immediately following that, Soulja Boy him self birdwalked his ass over to the computer to "Superman" that old geezer...

After a couple of more exchanges, and a pointless rant by Ice-T's son, Baby Ice, or Little Ice...I logged off and went to my car, only to turn on the radio to hear yet another song by T-Pain...

The only problem was, it wasn't T-Pain.

It was Kanye West. After that, came on Yung Berg's "The Bizness." After that, Ron Browz and Jim Jones, "Pop Champagne." Finally concluded with Janet Jackson's "Feedback." Janet's not really hip-hop, but you get my drift.

At that moment, I felt like I was in a very bad dream, or a movie about having a bad dream...you know the ones that when you try to turn the station, the same song is playing on EVERY station, then you try to turn it off, then it mysteriously comes back on? I was really miffed at myself because I had left my iPod, and the only CD's I generally keep in the car are the ones that I have working copies of my own music on.

I started thinking about Lipton Ice-T for a moment. Not only was his rant at Soulja Boy inappropirate...it was also, well, flat out wrong.

You see people, Soulja Boy, or anyone like him, could never be a threat to Hip-Hop music, but this Auto-Tune sh#t? You know this program that that allows everyone that can't sing a lick, to actually, "correct their pitch," is what's killing hip-hop. Straight up...I remember when a brother couldn't sing, but he wanted to sing, he jumped his no singing ass on the mic and did it anyway....and it was fresh!



Even back then, it was only the chorus...now rappers are singing whole songs, putting them out as singles, and even making whole albums with AutoTune's assistance. It's so rampant now that even T-Pain himself has cried out about it, as though his idea wasn't stolen from the late, great Roger Troutman to begin with...but that's another story.

Rappers are too busy singing and whatnot, that nobody's rapping anymore? The MC's are being put on the backburner, and if you don't have a single featuring AutoTune, you're going nowhere. Go to Sam Ash or Guitar Center, get you a box of the good stuff and get yourself a hit! Top 10 baby! Forget whomever the real artist is on the track, he/she is just an accessory. As long as we've got a fresh box of AutoTune software running, we can replace them. I can make a roach sound good on there! Let's get this money!

We're going to need it to bury our beloved hip-hop.

Wednesday, January 28, 2009

The EMCEE Series, Vol. 1: To Battle or Not to Battle

What's up y'all! Mr. Young here...
Saw this today and I figured it would be a good way to kick off my blog.

To Battle or Not to Battle? That is the Question...

Charles Hamilton vs. Serius Jones



106 & Park Freestyle Friday - Jin vs. Sterling



Lady Luck vs. Remy Ma



Is the ability to battle still necessary to be respected as an MC these days? Given the current climate of hip-hop, is battling a lost art? Discuss...